E-Books
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Direct Licensing and the Music Industry by This book discusses the economics of the music industry in the context of the changing landscape brought about by innovation, technological change, and rapid digitization. The ability of digital technology to reduce the transaction costs of music copyright licensing has all but destroyed the traditional media business models of incumbent Performance Rights Organizations (PROs), music publishers, record labels, and radio and television stations. In a climate where streaming services are rapidly proliferating and consumers prefer subscription models over direct ownership, new business models, such as direct licensing, are developing. This book provides an overview of the economics of the traditional music industry, the technology-induced changes in business models and copyright law, and the role of publishers, copyright holders and songwriters in the emerging direct licensing model. In Part One, the author examines the economic aspects of direct licensing as an alternative to the traditional blanket license for copyrighted musical compositions, with an emphasis on the often monopolistic nature of PROs. In Part Two, the author focuses on the music publisher and the role direct licensing and competition may play in the changing business models in the music industry and the potential benefits this may bring to copyright holders, such as songwriters. To compliment this model, the author proposes a maximum statutory fixed-rate for musical performances to further streamline the royalty process, especially where distributors such as Google and YouTube are concerned. This book adds to the growing body of literature on the economics of music licensing in the digital age. It will be useful to those in the fields of economics and law, as well as music executives, musicians, songwriters, composers, and other industry professionals who are interested in understanding how technology, innovation and competition have reshaped the music industry.ISBN: 9783319176536Publication Date: 2015-10-13 -
Introduction to the Music Industry: An Entrepreneurial Approach byPublication Date: 2012
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Multi-Sided Music Platforms and the Law by This book explores the legal and regulatory frameworks surrounding copyright protection, competition and privacy concerns arising from the way multi-sided platforms use copyright-protected content in digital advertising. This book suggests how stakeholders in Africa, and their advisors, may ingenuously reform and apply various legal and regulatory frameworks to address these issues which arise from the manner in which multi-sided platforms use copyright-protected content in digital advertising. The book critically engages with the regulatory efforts in other jurisdictions, particularly the EU, with a view to bringing an African perspective to the debate and practice. It undertakes a consideration of this issue by asking how multi-sided platforms may be deployed in a manner that continues innovative uses of copyright content while protecting the economic freedom of African copyright owners as small businesses. Providing the first pro-Africa approach to the regulation of multi-sided platforms, particularly with reference to music, this book focuses on key aspects of digital commercial activity and highlights the main challenges and opportunities for its regulation. It will be of interest to lawyers, policymakers and students across Nigeria, South Africa, and internationally among the African Union, European Union and beyond.ISBN: 9780429028380Publication Date: 2019-10-28 -
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The Music Industry:music in the cloud by The music industry is going through a period of immense change brought about in part by the digital revolution. What is the role of music in the age of computers and the Internet? How has the music industry been transformed by the economic and technological upheavals of recent years, and how is it likely to change in the future? This thoroughly revised and updated new edition provides an international overview of the music industry and its future prospects in the world of global entertainment. Patrik Wikstrom illuminates the workings of the music industry, and captures the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. New to this second edition are expanded sections on the structure of the music industry, online business models and the links between social media and music. Engaging and comprehensive, "The Music Industry" will be a must-read for students and scholars of media and communication studies, cultural studies, popular music, sociology and economics.ISBN: 9781299534117Publication Date: 2013-01-01 -
The Oxford Handbook of Social Media and Music Learning by The rapid pace of technological change over the last decade, particularly the rise of social media, has deeply affected the ways in which we interact as individuals, in groups, and among institutions to the point that it is difficult to grasp what it would be like to lose access to thiseveryday aspect of modern life. The Oxford Handbook of Social Media and Music Learning investigates the ways in which social media is now firmly engrained in all aspects of music education, providing fascinating insights into the ways in which social media, musical participation, and musicallearning are increasingly entwined.In five sections of newly commissioned chapters, a refreshing mix of junior and senior scholars tackle questions concerning the potential for formal and informal musical learning in a networked society. Beginning with an overview of community identity and the new musical self through social media,scholars explore intersections between digital, musical, and social constructs including the vernacular of born-digital performance, musical identity and projection, and the expanding definition of musical empowerment. The fifth section brings this handbook to full practical fruition, featuringfirsthand accounts of digital musicians, students, and teachers in the field. The Oxford Handbook of Social Media and Music Learning opens up an international discussion of what it means to be a musical community member in an age of technologically mediated relationships that break down the limitsof geographical, cultural, political, and economic place.ISBN: 9780190660772Publication Date: 2020-10-07
Copyright Reources
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U.S Copyright Office, Copyright and the Music Marketplace. An in-depth analysis pf the current methods of licensing music in the US. Provides balanced recommendations to improve the music marketplace.
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Music Licensing: From the Campus to the Real World/ David Herlihy, JD, Northeastern University. NU Law Presentation. Download and open on your desktop.
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The Music Modernization Act: Changing The Licensing Landscape for Streaming: South by Southwest 2018 A paper from South by Southwest CLE 2018, Friday, March 16, 2018. This legislation revolutionizes how songwriters are paid for use of their works by interactive streaming
services.
Databases
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Roper Center iPoll DatabankSearch public opinion survey questions.
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StatistaStatistics charted for easy use and reuse: markets, demographics, surveys, rankings.
Newspapers and E-Journals
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Boston Globe (1872-present) (Proquest Historical) This link opens in a new window
Open Access Publications
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Theft: A History of MusicThis graphic novel lays out a 2000-year long history of musical borrowing from Plato to rap. Click on the link for a free download of this book under a Creative Commons license .
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World Intellectual Property Organization Magazine (WIPO)WIPO is the global forum for intellectual property services, policy, information and cooperation.
Record Labels
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45cat.comRecord labels by country
Relevant Subject Guides
Check additional NU Library subject guides on these topics:
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Business Administration- very comprehensive: use for company information and international resources
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International Affairs and Global Studies- includes country information, data, statistics and polls
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Marketing Research- includes industry and trade association information
Music Industry Organizations
American Society of Composers, Authors, and Publishers (ASCAP)
An association of composers, lyricists, publishers, and others involved in the creation of music. ASCAP is the leading performing rights organization, representing over 540,000 songwriters, composers and music publishers.
Future of Music Coalition
A Washington D.C.-based nonprofit organization which works with musicians, composers and industry stakeholders to provide solutions to shared challenges.
International Federation of the Phonograph Industry (IFPI)
"The voice of the recording industry worldwide.We represent the interests of 1,300 record companies across the globe."
Mechanical Licensing Collective (MLC)
A nonprofit organization designated by the U.S. Copyright Office pursuant to the historic Music Modernization Act of 2018.
Starting in January 2021, The MLC began to issue and administer blanket mechanical licenses to eligible streaming and download services (digital service providers or DSPs) in the United States. The MLC will then collect the royalties due under those licenses from the DSPs and pay songwriters, composers, lyricists, and music publishers.
National Independent Talent Organization (NITO)
NITO is a "non-profit group initially formed by like-minded independent talent agencies (and soon thereafter expanded to encompass independent management companies) for the purpose of promoting the welfare and prosperity of its members and their represented artists, as well as for the indirect benefit of those associated with them. NITO welcomes a broad coalition of the live music ecosystem.
National Independent Venue Association (NIVA)
"NIVA's mission is to preserve and nurture the ecosystem of independent live music venues and promoters throughout the United States."
Recording Industry Association of America
The trade group that represents the U.S. recording industry. Provides the industry perspective on intellectual property rights, current lawsuits, and more. Links to most of the major labels.
A performing rights organization which represents songwriters and publishers, and their right to be compensated for having their music performed in public.
"The fine print of big ideas in music and technology, hosted by journalist Cherie Hu and featuring a curated selection of leaders, innovators, artists and thinkers from across the music business."
Wintel Worldwide Independent Network
The coordinating body for national independent trade associations representing the recorded music industry around the planet. Publishes annual reports.